I work with the image as an entry point.

My works begin as visual objects,
but do not end at the surface.
They lead further — into a state.

My method is shaped by my background in theatre and cinema,
where space, light and movement become part of the narrative.

I am interested in the moment
when the viewer stops being an observer
and becomes a participant.

Anxiety, distortion, childlike form, decay —
these are not themes, but tools.

I combine visual art
with principles of scenography and filmmaking,
creating environments infused with a sense of mystery
and a search for metaphysical experience.

My practice is currently shifting
towards total spatial environments.

I create situations
where the image exceeds itself
and begins to affect the body.

This is a transition.
And it has already begun.